the forest

It is startling to think that all Europe once looked like this Puszcza. To enter it is to realize that most of us were bred to a pale copy of what nature intended. Seeing elders with trunks seven feet wide, or walking through stands of the tallest trees here—gigantic Norway spruce, shaggy as Methuselah—should seem as exotic as the Amazon or Antarctica to someone raised among the comparatively puny, second-growth woodlands found throughout the Northern Hemisphere.

Instead, what’s astonishing is how primally familiar it feels. And, on some cellular level, how complete.

Alan Weisman on the Białowieża Forest, "The World Without Us" (2007)

chaos and old night

The maker of a sentence launches out into the infinite and builds a road into Chaos and old Night, and is followed by those who hear him with something of wild, creative delight.

tread softly

Had I the heaven's embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths 
Of night and light and the half-light;
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
W.B. Yeats, 'Aedh wishes for the Cloths of Heaven' (1899)

where boom bands

...

You can get so confused
that you’ll start in to race
down long wiggled roads at a break-necking pace
and grind on for miles cross weirdish wild space,
headed, I fear, toward a most useless place.
The Waiting Place…

…for people just waiting.
Waiting for a train to go
or a bus to come, or a plane to go
or the mail to come, or the rain to go
or the phone to ring, or the snow to snow
or the waiting around for a Yes or No
or waiting for their hair to grow.
Everyone is just waiting.

...

NO! That’s not for you!

Somehow you’ll escape
all that waiting and staying.
You’ll find the bright places
where Boom Bands are playing.
Dr. Seuss, "Oh, The Places You’ll Go!" (1990)

golightly

Because no matter where you run, you just end up running into yourself.

"Breakfast at Tiffany's" (1961)

paris syndrome

Paris syndrome...is a transient psychological disorder exhibited by some individuals visiting or vacationing in Paris or elsewhere in Western Europe. It is characterized by a number of psychiatric symptoms such as acute delusional states, hallucinations, feelings of persecution, derealization, depersonalization, anxiety, and also psychosomatic manifestations such as dizziness, tachycardia, sweating, and others...

...

There is a 24-hour help line run by the Japanese embassy to help Japanese tourists suffering from this condition.

there is a light...

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter—tomorrow we will run faster, stretch out our arms farther. . . . And then one fine morning— So we beat on, boats against the current, borne back ceaselessly into the past.

F. Scott Fitzgerald, "The Great Gatsby" (1925)

...that never goes out

Theodore Roosevelt's diary

On Valentine's Day of 1884, just 36 hours after the birth of their only daughter, Alice, 25-year-old future U.S. President Theodore Roosevelt held his young wife in his arms as she passed away from undiagnosed Bright's disease. Incredibly, just hours before, in the same house, he had already said a final goodbye to his mother, Martha. She had succumbed to Typhoid, aged just 48...

this is his journal entry for that day.

dramamine

This is a long drive for someone with nothing to think about

Modest Mouse album (1996)

perhaps

Perhaps they were right putting love into books. Perhaps it could not live anywhere else.

William Faulkner, 'Light in August' (1932)

flowers

John Everett Millais, "Ophelia" (1852)

given

When I give, I give myself.

Walt Whitman

i swear

since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world

my blood approves 
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don't cry
—the best gesture of my brain is less than
your eyelids' flutter which says

we are for each other: then
laugh, leaning back in my arms
for life's not a paragraph

and death i think is no parenthesis
ee cummings, "Since feeling is first" (1926)

my favorite poem.

epitaph

There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.

Hunter S. Thompson, "Fear and Loathing In Las Vegas" (1971)

margins

I have not time. I have not time.

Galois (1832)

in 1832, a 20 year old frenchman stayed up all night furiously writing. his hot temper had gotten him into a duel over a woman and he knew the odds of him surviving were slim.

so, this young man spent the entire prior night writing his thoughts on all the mathematics that he had in his head. he was no one in particular, rejected multiple times from various academic institutions and with little-to-no formal training.

in his frenzy of sketches, half thoughts, and ideas he wrote alongside the margin over and over 'i have not time.' he completed the odd writings and mailed them off that night.

the next day he was mortally wounded and died shortly at hospital.

in time and by pure chance, his frenzied 60 pages he had mailed off were discovered, and quickly it became apparent, many years later, the brilliance contained in them.

this young man named Galois had single handedly created 'group theory,' a huge advancement and turning point in mathematics. the product of a short life contained in one night's work.

this is my favorite story in mathematics.

mean americans

Actually I have never seen an average American household. Except on TV.

0 to 100 real quick

Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo.

Gabriel García Márquez, "Cien años de soledad" (1967)

my favorite opening line.

bjork, richard...

I have a friend who’s an artist and has sometimes taken a view which I don’t agree with very well. He’ll hold up a flower and say "look how beautiful it is," and I’ll agree. Then he says "I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing," and I think that he’s kind of nutty.

First of all, the beauty that he sees is available to other people and to me too, I believe, although I might not be quite as refined aesthetically as he is, I can appreciate the beauty of a flower.

At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it’s not just beauty at this dimension, at one centimeter; there’s also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds.

I don’t understand how it subtracts.

Richard Feynman, Nobel winning physicist & Manhattan project prankster, "The Pleasure of Finding Things Out" (1981)

...richard, bjork

This beautiful television has put me, like I said before, in all sorts of situations. I remember being very scared because an Icelandic poet told me that not like in cinemas, where the thing that throws the picture from it just sends light on the screen, but this is different. This is millions and millions of little screens that send light, some sort of electric light, I'm not really sure. But because there are so many of them, and in fact you are watching very many things when you are watching TV. Your head is very busy all the time to calculate and put it all together into one picture. And then because you're so busy doing that, you don't watch very carefully what the program you are watching is really about. So you become hypnotized. So all that's on TV, it just goes directly into your brain and you stop judging it's right or not.

You just swallow and swallow. This is what an Icelandic poet told me.

And I became so scared to television that I always got headaches when I watched it. Then, later on, when I got my Danish book on television, I stopped being afraid because I read the truth, the scientifical truth and it was much better.

You shouldn't let poets lie to you.

Björk re: television (circa 1990)

dog's cradle

Kurt Vonnegut and Pumpkin, his lhasa apso