fencing a forest fire

I admire him (Benjamin Franklin). I admire his sturdy courage first of all, then his sagacity, then his glimpsing into the thunders of electricity, then his common-sense humour. All the qualities of a great man, and never more than a great citizen. Middle-sized, sturdy, snuff-coloured Doctor Franklin, one of the soundest citizens that ever trod or 'used venery'.

I do not like him.

And, by the way, I always thought books of Venery were about hunting deer....

I am a moral animal. But I am not a moral machine. I don't work with a little set of handles or levers. The Temperance- silence-order- resolution-frugality-industry-sincerity - justice- moderation-cleanliness-tranquillity-chastity-humility keyboard is not going to get me going. I'm really not just an automatic piano with a moral Benjamin getting tunes out of me.

Here's my creed, against Benjamin's. This is what I believe:

'That I am I.'
'That my soul is a dark forest.'
'That my known self will never be more thana little
 clearing in the forest.'
'That gods, strange gods, come forth from the forest
 into the clearing of my known self, and then go back.'
'That I must have the courage to let them come and go.'
'That I will never let mankind put anything over me,
 but that I will try always to recognize and submit
 to the gods in me and the gods in other men and women.'

There is my creed. He who runs may read. He who prefers to crawl, or to go by gasoline, can call it rot.

D.H. Lawrence, "Studies in Classic American Literature" (1923)

dramedy

"Want to know the real tragedy about marriage?"

"No, thanks."

"Women always think men will change, but they don't. Men think women won't change, but they do."

Luther (2010)

as above, so below

Which is better?" I asked, out of simple curiosity. "Above or below?"

..."It's not a question of better or worse. The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there is no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness. 'I am he and/ He is me:/ Spring nightfall.' Abandon the self, and there you are.

Haruki Murakami, "The Wind-Up Bird Chronicle" (1995)

ohana

"Ohana" means "family". "Family" means nobody gets left behind.

"Lilo & Stitch" (2002)

the fabric of hyperspace

Hyperreality is more real than real. This is… actually sounds… if some of this sounds like advertising slogans: good. Because in Baudrillard the heritage of philosophy and social theory has passed over into advertising and television. So if it sounds superficial: good, because the theory; the world that he looks at has become superficial and banal. If it sounds hokey like a salesman’s pitch: good. The world he describes is the world of Jurassic Park not of Dante. So that is all evidence on the side of Baudrillard if you follow the argument deep enough and with enough clarity.

Okay let me explain the concept of hyperreality; this is an important concept in Baudrillard. In Baudrillard, we have already said that reality is simply that which could be simulated. Can’t be simulated; not real. But more real than real is a reality… and I guess again I could give you… and I hate to use these movie examples if you haven’t seen the movies but in A Clockwork Orange there is a great line that anticipates the postmodern. When the character played by Malcolm McDowell says “It’s funny how blood isn’t really blood until you viddy it on the screen”; until you see it on a movie screen. In real life it looks kind of brown and mucky, on the screen it looks sort of more real than real blood and this sense of the sort of hyperreality we get with cinema, we get with television and so on is another phenomenon Baudrillard wants to examine.

And I think that here we get… and I guess my politics are showing again, but here we get the phenomenon of Reagan; the hyperreal president, more real than real. I mean he’s better at being Harry Truman than Harry Truman. I mean, the distinction about what he is is lost in the hyperreality of his smile which like the Cheshire Cat’s, you know, just gleams across his face and we get for the first time a phenomenon never known in polling which is the phenomenon of not liking a person, but of liking liking a person. This is a sign you are dealing with the hyperreal.

Let me go over that again: Reagan’s popularity was popular. When you went through the various traits of Reagan and what Reagan stood for and his policies and so on vast numbers of people disliked nearly all of them. What was popular was his popularity and I don’t think that Reagan’s alone in this.

Show business figures had this same thing go on for years. I can’t remember the last Michael Jackson song that I even listened to – or my kids who also don’t like Michael Jackson – but he’s popular, but not in the old sense. It is a hyper popularity, if you follow me. It is popular that he is popular.

Rick Roderick, "Self Under Siege" (1993)

dante's inferno

The sea is the cemetery of the Chateau D'If.

Alexandre Dumas, "The Count of Monte Christ" (1845)

amara's law

We tend to overestimate the effect of a technology in the short run and underestimate the effect in the long run.

Roy Amara (1975)

the hunt

You ask advice: ah, what a very human and very dangerous thing to do! For to give advice to a man who asks what to do with his life implies something very close to egomania. To presume to point a man to the right and ultimate goal— to point with a trembling finger in the RIGHT direction is something only a fool would take upon himself.

I am not a fool, but I respect your sincerity in asking my advice. I ask you though, in listening to what I say, to remember that all advice can only be a product of the man who gives it. What is truth to one may be disaster to another. I do not see life through your eyes, nor you through mine. If I were to attempt to give you specific advice, it would be too much like the blind leading the blind.

“To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles … ” (Shakespeare)

And indeed, that IS the question: whether to float with the tide, or to swim for a goal. It is a choice we must all make consciously or unconsciously at one time in our lives. So few people understand this! Think of any decision you’ve ever made which had a bearing on your future: I may be wrong, but I don’t see how it could have been anything but a choice however indirect— between the two things I’ve mentioned: the floating or the swimming.

But why not float if you have no goal? That is another question. It is unquestionably better to enjoy the floating than to swim in uncertainty. So how does a man find a goal? Not a castle in the stars, but a real and tangible thing. How can a man be sure he’s not after the “big rock candy mountain,” the enticing sugar-candy goal that has little taste and no substance?

The answer— and, in a sense, the tragedy of life— is that we seek to understand the goal and not the man. We set up a goal which demands of us certain things: and we do these things. We adjust to the demands of a concept which CANNOT be valid. When you were young, let us say that you wanted to be a fireman. I feel reasonably safe in saying that you no longer want to be a fireman. Why? Because your perspective has changed. It’s not the fireman who has changed, but you. Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. This goes on and on. Every reaction is a learning process; every significant experience alters your perspective.

So it would seem foolish, would it not, to adjust our lives to the demands of a goal we see from a different angle every day? How could we ever hope to accomplish anything other than galloping neurosis?

Hunter S. Thompson (circa 1957)

el olvido


...

Puedo escribir los versos más tristes esta noche.
Pensar que no la tengo. Sentir que la he perdido.

Oir la noche immensa, más inmensa sin ella. 
Y el verso cae al alma como al pasto el rocío.

Qué importa que mi amor no pudiera guardarla.
La noche está estrellada y ella no está conmigo.

Eso es todo. A lo lejos alguien canta. A lo lejos.
Mi alma no se contenta con haberla perdido.

Como para acercarla mi mirada la busca.
Mi corazón la busca, y ella no está conmigo.

De otro. Será de otro. Como antes de mis besos.
Su voz, su cuerpo claro. Sus ojos infinitos.

Ya no la quiero, es cierto, pero tal vez la quiero.
Es tan corto al amor, y es tan largo el olvido.

Porque en noches como ésta la tuve entre mis brazos,
mi alma no se contenta con haberla perdido.

Aunque ésta sea el último dolor que ella me causa,
y éstos sean los últimos versos que yo le escribo.
Pablo Neruda, 'Poema 20' (1924)

exit music

And in the end
The love you take
Is equal to the love
You make
the last lyric on the last song written by "The Beatles"

108

In an effort to get people to look 
into each other’s eyes more, 
and also to appease the mutes, 
the government has decided 
to allot each person exactly one hundred   
and sixty-seven words, per day. 

When the phone rings, I put it to my ear   
without saying hello. In the restaurant   
I point at chicken noodle soup. 
I am adjusting well to the new way. 

Late at night, I call my long distance lover,   
proudly say I only used fifty-nine today.   
I saved the rest for you. 

When she doesn’t respond, 
I know she’s used up all her words,   
so I slowly whisper I love you 
thirty-two and a third times. 
After that, we just sit on the line   
and listen to each other breathe.
Jeffrey McDaniel, "The Quiet World" (1998)

gemini

You and I share the same DNA. Is there anything more lonely than that?

"Adaptation" (2002)

mercurial

" I dream'd a dream to-night."

"And so did I."

"Well, what was yours?"

"That dreamers often lie."

William Shakespeare, "Romeo and Juliet" (1597)

latino america/sur real

La historia de Mexico esta en pie. Aqui no ha muerto nadie, a pesar de los asesinatos y fusilamientos. Están vivos Cuauhtémoc, Cortes, Maximiliano, don Porfirio y todos los conquistadores y todos los conquistados. Eso es lo original de Mexico. Todo el pasado suyo es actualidad palpitante. No ha muerto el pasado. No ha pasado el pasado, se ha parada.

Jose Moreno Villa (1992)

The past is not dead. It's not even past.

William Faulkner, "Requiem for a Nun" (1951)

baptismal theory

You can't take a bath in the word "water."

Alan Watts, "In My Own Way" (1972)

exeunt

In a theater, it happened that a fire started offstage. The clown came out to tell the audience. They thought it was a joke and applauded. He told them again, and they became still more hilarious. This is the way, I suppose, that the world will be destroyed- amid the universal hilarity of wits and wags who think it is all a joke.

Kierkegaard, "Either/Or" (1843)

candles

"Nothing, your smile reminded me of--"

"I always remind people of...
Who is she?"
Jonathan Larson, "Light My Candle" (1994)

consolation/vesuvius, fire of fire

However, the flames remained some distance off; then darkness came on once more and ashes began to fall again, this time in heavy showers. We rose from time to time and shook them off, otherwise we should have been buried and crushed beneath their weight.

I could boast that not a groan or cry of fear escaped me in these perils, but I admit that I derived some poor consolation in my mortal lot from the belief that the whole world was dying with me and I with it.

Pliny the Younger's retelling of his surviving Vesuvius' destruction of Pompeii (79 AD)

ducking the question

You know those ducks in that lagoon right near Central Park South? That little lake? By any chance, do you happen to know where they go, the ducks, when it gets all frozen over? Do you happen to know, by any chance?

J. D. Salinger, "The Catcher In The Rye" (1951)

fiji waters

This is us...and all the way around here...Fiji. You can't get any further away before you start coming back.

"The Truman Show" (1998)